Camera Gear Artikelen

The curious case of the black paint Summicron-DR

Leica gear is well-loved, most-wanted and highly sought-after as a result, as we all know. But some Leica stuff just trumps it all: the black paint items from the 1950s, 1960s and 1970s. That's were the truly big bucks can be found, that's the stuff that dreams and collections are made of. Every collector hopes to one day scoop up a prime example for a handful of nickels and dimes.

So it is not that strange that sales of the coveted Black Paint Leica gear command larger attention, but also are a larger risk due to bigger bucks being involved.

Leica IIIc, a wartime camera with red curtains

Shortly after World War II started, Leitz found itself in a sort of a predicament. The foreign shipments of shutter cloth material had seized due to the outbreak of the war. All that was left in stock was an experimental shutter cloth, which had different rubber layering and was red in color. Cameras that were ordered by the German Army, Navy and Air Force had to be delivered to Berlin, they were part of the war effort that German companies had to make.

Leitz decided to use the red shutter curtain material, even though there were doubts on its durability. And over time it became clear that the shutter cloth indeed gave in, the rubber started to desintegrate and left sticky black spots of goo on the shutter.

As a result, wartime cameras with red shutter curtains are pretty rare nowadays. 

Leica M2, the all-round press photographers camera

This particular Leica M2 started out it's life in 1963 and was used by German press photographer Herbert Ahrens until his death. When I bought it, the sticker from his 'Pressedienst' was still on the bottom plate. It looked very beat up but was still working flawlessly.

Leica M3 (overview, 1954-1966)

What's up, Doc?
The Leica M3 was a revolutionary design. It had a combined rangefinder and viewfinder, with parallax corrected frames that matched the focal length of the mounted lens automatically. The viewfinder was the brightest ever made. The M3 was the first camera with an advance lever, instead of a knob. It had a rear door that swings up, to make film loading easier. It featured a new and patented bayonet mount. 

Barnack Leica: true or fake? A comprehensive guide

Every now and then you see them surface, those expensive and rare Leicas. The Leica Luxus, for instance. Only three of those gold plated Leicas were ever made, and only one of those is known to be in existence today. Or the Wehrmacht, Luftwaffen or Kriegsmarine engraved Leicas of the second World War. But most of the time these 'rare' cameras are fakes. How can you tell the true Leicas from the fake ones? A small guide.

Leica: The incredible M4 can take a beating

Featured in this article is a Leica M4 that went through its paces. I always imagine it served in Vietnam, since many photo-journalists who worked there and used Leica's, chose the M4. 

The Tower type '45' camera was a screw mount Leica clone built by Nicca from Japan. It was sold exclusively by Sears in the United States, who commissioned cameras with their 'Sears' brand name with various Japanese and German camera manufacturers in the late 1950s and 1960s.

The second half of the 1950s saw the Japanese camera manufacturers face some difficulties in their production. Many of them (Canon, Nicca, Leotax, even the British Reid & Sigrist) had built their empires on copying the German design of the Leica IIIc. The Germans had lost their patents after World War II and the Japanese and other manufacturers had jumped on the opportunity to create their own versions of what had proven to be very well-built and highly effective cameras. But then, the Germans took the market back by releasing the Leica M3, which was a whole new level of camera and it was patented again too! The Japanese copy-cats were left lightyears behind.

 

But, they quickly figured out that Leitz had filed for a combined patent of all new features and had not filed the single alterations and improvements for patent too. And they set out to close the gap between their own (very capable!) models and the Leica M3.

And it got us some interesting developments. 

On the net you can find all kinds of stories on this lens. Most say its very soft wide open, prone to flare and what else. But most of the time this is merely a side effect from shooting a 50+ year old lens that has gotten hazy inside. Most of these lenses have scratches in the front element coating, which cannot be remedied with this pictorial, but image quality still can be improved a lot by cleaning the lens up.

 

Wanna see how to get the most out of this lens again? Read on!

The Rolleiflex 2,8 FX

 
Rolleiflex 2,8 FX Rollei’s legendary twin-lens single-lens reflex camera with an 80mm Planar f/2.8 HFT lens, protective lens cap, carrying strap and size III filter bayonet.

The leather parts are of brown cowhide with a crocodile-like pattern. The back has chromium-plated edges that give the camera a sophisticated elegance. The logo on the front of the camera corresponds exactly to the one that adorned the Rolleiflex cameras of the thirties. The well-proven carrying strap eyelets of the earlier models have also been taken over.